An odd family in-joke takes on a life of its own The washing was left out in the rain, sopping masses of denim and wool. We blamed it all on Cheryl. Mum constantly shuffles in her seat while she records videos with her whiteboard. Her natural environment was the classroom panopticon, fluttering from one tiny desk to another. But now, squeaky voices shout her name in glee through the computer screen every morning. Recuperating from last night’s cartoon binge, a couple kids lou

This piece explores the nuances and emotions of a life in social isolation due to Covid-19 quarantine, in particular feelings of loneliness and lack of purpose. It’s 9:51pm on Wednesday the something of July. I had to think for a moment. Is it Thursday? Friday? But then I realise it’s still Wednesday. I can’t sleep again. My brain is a constant stream of thoughts, littered with concerns and anxieties. It’s Niagara Falls in here. My partner is fast asleep next to me, snoring p

I’ve been thinking a lot about the way nostalgia has been getting me through lockdown. I wanted to reflect on the ways many childhood faves have been helping me cope – and I thought it may be interesting to see if others are noticing similar behaviours in themselves. Now, I may older than many of you reading – I’m an actual millennial, as opposed to the constantly lazy short-hand way that it’s misused as a synonym for ‘young person I have a preconceived prejudice against’. So

Colette Haymes’ life changed dramatically at the age of 40, when she came across a lump while breastfeeding. She was diagnosed with a highly invasive breast cancer. “I remember being sad not for me, but for my husband and my children, that’s where my sadness came from,” Colette says. The treatment happened very fast. It was so surreal I was lost for words. I think I was in shock and a bit naive as to what was coming next. She says being positive was what kept her going. Sh

I was in England on exchange and touring around when the COVID-19 pandemic struck. This photo essay is of my journey to come back home, and how even when I was finally in the same country as my family, I still couldn’t hug them (for 14 days). I was inspired by the photos I took at the airport, as I couldn’t believe how empty Birmingham was, and then how busy my layover in Dubai was.

This piece explores my personal life in lockdown from the view point of someone else. I did this by taking all photos using a self-timer setting to capture my exploration of new things during this time at home. These photographs reflect on my personal efforts to appreciate what I have and try new things or things I would not usually have the time to engage in, in normal life.

In response to the theme ‘my life in lockdown’ I have created a series of photographs to encourage Tasmanians to make the most of the state while they’re unable to travel anywhere else in the country. Tasmania had no active cases of the Corona Virus for most of the lockdown period, so the main issue faced by Tasmanians during the lockdown was our borders being closed preventing travel outside of the state. My photos could be used for commercial purposes in a campaign to encou

“I’m not interesting!” Zoe Meehan says defiantly. “I’ve barely lived yet. I’m just 17.” A wall covered with life drawings and a bookshelf bursting with dozens of packed sketchbooks undermine her claim. There are paintings, storyboards, clay maquettes – and a skull. Zoe consults this clay sculpture often to flesh out a new character’s story or attitude. “I made him last year, when I wasn’t so clear on the volumes of things. Especially the backs of people’s heads,” she says. “

No Hands is a mockumentary styled film about Michael, who shows life in lockdown on his own adopting new values and mannerisms after living this weird life for too long. He expresses new fears of germs, people, and not having enough toilet paper and hand sanitiser. Michael is a representation of how a lot of people are feeling in lockdown… losing it!

This visual film expresses my own thoughts through the voiceover, which I believed would resonate with many people at the beginning. However, it also aims to encourage people to seek the joy in their lives. The film was shot outdoors to reveal a visual sense of freedom.

Wary of a foreboding menace that is external to the safety of his confinement, this man must choose to either stay submissive to the paranoia that has been engulfing him or find the light in humanity. The Blight is an allegory that aims to reflect the state of contemporary Western society during the current major pandemic by utilising the typical tropes of the thriller genre to exaggerate the self-deception that currently dominates many peoples’ lives.

A person decides to go into lockdown due to his fears about the current epidemic. Whilst inside life seems indescribable, transcending deep into thought where his inner emotions embody his different moods and argue about the current position they’ve put their person in. Then it comes to the conclusion that the only way to explain and process this behaviour is subjectively as a result of Stockholm syndrome. It is already too late.