Daniel Allen reviews Jimmy Barnes: Working Class Man, a documentary on an Australian icon. One of Australia's most notable music icons ,...

Tom Borin brings us No Apologies, a story about guilt turned deadly. Guilt is like a sickness that eats us up. (Image: Wix) Mason watched...

Belle Colyer reviews Kiah Roache-Turner's latest Aussie horror set in shark-infested WW2 waters. With the 50 th  anniversary of Jaws...

Ange Tcaciuc reviews "From Darkness to Light," an engrossing documentary about failed filmmaker Jerry Lewis. Throughout cinema history,...

As the AFL investigates concussion care procedures, Louie Cina investigates how community clubs are meeting new guidelines. For...

Alphabet Lane, James Litchfield's directorial feature film debut, premieres to lukewarm reception, Matthew Parkhill reviews. Alphabet...

In Squeak, Lilly Griffith explores the trauma that follows violence, from the Diversity in Australian Literature class. That creeping...

Layne Scotland reviews Eddington, Ari Aster's new flick premiering at MIFF. If you’ve ever opened Letterboxd, you know who Ari Aster is....

In The Heights takes Melbournians on a powerful journey abroad, Genevieve Spiteri and Louie Cina review.    A little slice of New York is...

The 73rd Melbourne International Film Festival premieres with new Rose Byrne film , Matthew Parkhill reports. Attendees at the MIFF...

Diversity in Australian Literature student Blanche Clark explores the modern masculinity crisis through the lens of a grieving son. How...

Sunday Afternoon Mayhem in Docklands brings Australia one of it’s most iconic sporting moments in history, writes Teddy Angel. (Photo...